Posts tagged: film
Wong Kar-Wai Week
Chungking Express, 1994
Cinematography: Christopher Doyle, Wai-Keung Lau
Saul Bass: Film Title Sequences— It’s a Mad, Mad, Mad, Mad World, Anatomy of a Murder, Something Wild, North by Northwest, Edge of the City, Psycho, The Man With the Golden Arm, Goodfellas, Cowboy, Spartacus, Bunny Lake Is Missing, Vertigo
I think I have done about 10 films that have shot within one minute or five minutes of where I live in Hong Kong. That is why I can’t leave, that is why I have to stay there. Chungking Express is actually shot in my apartment. […] The bloody film was shot in my bloody apartment! (laughs) I should’ve stayed in a hotel. I’d be working all day and sleeping on the floor at night. We couldn’t mess up the set. The film’s very special in that way given the connection to my personal life…
The interesting thing is after the film—I guess it was the Hong Kong tourist board put out a map of film locations—for three of four years there’d be people following this map to my door. Especially Japanese tourists for some reason. They’d go on the escalator and look for the apartment. So, I’d be going off to work or to a bar and there’d be people waiting downstairs. Once I found kids literally on my doorstep wanting to go in.
— Christopher Doyle
There could not be a gpoy more accurate than this
Grace Kelly in To Catch a Thief (1955).
“Even in this light, I can tell where your eyes are looking.”
In this movie and in Rear Window (1954), Ms. Kelly played a sort of perfect woman. She was rich, she was beautiful, yes, but she also was an irresistible blend of wit, pluck, and feminine charm.
Grace Kelly; To Catch A Thief (1955).